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The TV Writers Vault provides this open guide to help you create better concepts and pitch more productively. This information has helped many new writers and producers land deals and get shows on air.
Here's what we'll cover: What makes them exciting to watch is the fact that they are often clever dramatic social experiments. To truly connect with an audience and have entertainment value in a show, the idea needs to be as fun to watch as it is to participate in.
Docuseries reality shows allow us to witness life unfold for a person, family, business, or group set within a lifestyle and circumstance that creates entertaining and compelling content. The reason viewers tune in is because we have an insatiable appetite for witnessing and being entertained by the human experience.
Be Specific in your idea, and try several approaches. That in itself is a generic idea, but it does send the creative mind in a specific direction. They may be spending time trying to develop the concept internally, while also taking pitches from a handful of producers.
Many producers will create two or three variations on the same concept. And each of those will give you a different result, a different experience as a viewer, and therefore they are considered by any executive taking stock- different shows. It can only increase your chance of making a sale.
Titles are very important. Word play is always a good way to grab attention and create curiosity. Meet the Parents, Wife Swap, and Blind Date are all specific to what their show is about, while using known phrases to create titles that provoke curiosity.
Think of movies- Story is a critical element when developing a reality-based project. When you look at movies, look at the core concept and story elements of the film, and a reality show just might be staring you smack in the face.
Explain how experiencing their world is unique and compelling. Describe their plight in life, and how they handle adversity. Check out our article on creating docuseries for some deeper insight.
Formatted reality series have a very clear structure, rules, and a progression to a winner. When pitching these types of shows, keep in mind that everything needs to feed and build drama. Be it a relationship series, or competition series, it's all about creating the right components that deliver key dramatic moments.
The logline will describe the unique premise and agenda for the series, and the synopsis will take us through the specific steps detailing how the show unfolds. The most important aspect of creating this type of series is to have a highly original hook that makes the show unlike anything we've seen.
While the framework or subject may be derived from other popular shows, your specific hook makes everything different. Sizzle Reels Having a "proof of concept" reel is great, but it's critical to understand that it can both help and hinder. If you're pitching a docuseries, then having video that allows the producers to see who and how the people are, their personalities, their perspectives, their world, is great.
BUT if you try to have produced a "professional" reel it can quickly become overproduced and more of a turn off.
Because what a network or production company will fall in love with are the people, the subject, and their world. They'll have an idea of its potential content.
If you attempt to present and deliver what you think that is, it can show too much and fall short, killing their confidence.
It's best to simply have a two to three minute tape with main characters introducing themselves, talking about their job, family, relationships, and each other.
From that, we'll get a sense of their personalities and their perception of others, giving us a clear view on the chemistry we'd be dealing with in producing a show. Pitching "In The Room" Being good in a room is something born from experience and guts.
Keep in mind, confidence doesn't mean being brash or overbearing. Confidence means having trust. It means having enough trust that the executive will see what you are communicating, and you can relax enough to not push right into the pitch.
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